Press Release - New Permanent Exhibition Showcasing History of Science Opens Nov. 1

August 28, 2008


The 2,800-square-foot Dibner Hall will examine great achievements in science from Ptolemy and Copernicus to Newton, Darwin, and Einstein


Press Preview: 10 a.m. to noon, Friday, Oct. 31



Zodiacal Constellation Leo. From John Flamsteed, Atlas Celeste (Celestial Atlas), Paris, 1776. © The Huntington Library


Dibner Backgrounder | Gallery Design | Dibner History of Science Program | History of Science Collections | Exhibition Highlights | Press Images


SAN MARINO, Calif. — The Huntington Library, Art Collections, and Botanical Gardens opens a new permanent exhibition on Nov. 1, showcasing some of science’s greatest achievements, from Ptolemy to Copernicus, Newton to Einstein. The 2,800-square-foot Dibner Hall of the History of Science comes as a result of the marriage of The Huntington’s history of science materials with the Burndy Library, a 67,000-volume collection of rare books and manuscripts donated to The Huntington in 2006 by the Dibner family of Connecticut. Combining the two collections makes The Huntington one of the world’s most important centers for the study of the history of science.


“We’re calling this ‘Beautiful Science: Ideas that Changed the World,’” says Daniel Lewis, The Huntington’s Dibner Senior Curator of the History of Science & Technology. “We want people to think about the beauty of science in a historical context—the elegant breakthroughs, the remarkable discoveries, and the amazing people and stories behind them.”


Based on the strengths of the Library’s holdings, Lewis has highlighted four areas of exploration: astronomy, natural history, medicine, and light. A gallery on each focuses on the changing role of science over time, particularly the astonishing leaps in imagination made by scientists over the years and the importance of written works in communicating those ideas. Works in the exhibition represent centuries of thought, showing how knowledge has become more refined over time.


For example, until the 15th century, Earth was generally considered the center of the universe, and the gallery devoted to astronomy will show just how that perspective shifted—beginning with a 13th-century copy of Ptolemy’s Almagest, a classic Greek text from the second century. The version on display is a Latin manuscript transcribed by monks in southern France in 1279. The work was heralded as a remarkable mathematical achievement and did a sophisticated job of predicting the position of the planets. But it wasn’t until sometime later that scientists determined that the planets revolved around the Sun, points made in various degrees by Copernicus and Kepler. The 1566 edition of Copernicus’ De Revolutionibus includes censor marks by the first owner, a concession to the pressure of Church officials who considered the work blasphemous. Over time, the planets would be further studied, and their motion better understood, through the works of Galileo Galilei and Isaac Newton. Also in the exhibition: a 1913 letter from Einstein to the great astronomer George Ellery Hale and a 1923 logbook from astronomer Edwin Hubble, writing about the observations he made using the 100-inch Hooker telescope atop Mt. Wilson.


“I see this as an extremely important moment for The Huntington,” says Steven Koblik, Huntington president. “This exhibition has the potential to give visitors a much deeper understanding of how we know what we know, how knowledge has advanced over time, and how we have relied on a base of evidence to build that knowledge. People will walk into this exhibition space and be completely awestruck by the power and range of human achievement on display.” An accompanying education program for middle and high school students will highlight the scientific method of experimentation: observing, testing, measuring results, and reporting on them.


The four themed galleries in Dibner Hall comprise a reconfigured wing of the Huntington Library, which was built in 1919. A fifth gallery will be a designated reading area, where visitors can curl up in oversized chairs with a copy of The Origin of Species or one of a number of books and ponder great moments in the history of science.


Working with in-house designer Karina White, Berkeley-based Gordon Chun Design has transformed a space formerly occupied by 18th-century French art, installing books among vibrantly colored walls, interactive computer terminals, and replicas of scientific instruments, including a Galilean telescope and a 17th-century microscope. A prism experiment shows how white light can be split into the colors of the rainbow and how those colors can then be recombined into white light.


“One of the challenges of library exhibits is that we are limited to showing just one opening of a book at a time,” says White. The team working on the display is addressing that challenge by reproducing dozens of pages from books and scattering them on the surrounding walls.


The impact is particularly effective in the gallery devoted to natural history. “The effect, we hope, is reminiscent of the curiosity cabinets so popular in the 18th and 19th centuries,” says Lewis, referring both to rooms and small boxes that were assemblages categorized by scientific theme and meant to evoke wonder. An additional goal is to get people as close to the original books as possible—“to see the detail they would miss even at a modest distance,” says Lewis.


A display in the reading room carries the goal further, allowing visitors to leaf through a 300-year-old book. They can also turn virtual pages of rare volumes at a computer terminal in the natural history section.


The exhibition hall is made possible by the Dibner family, celebrating Bern and David Dibner and the Burndy Library; the Ahmanson Foundation; and Anne and Jim Rothenberg.


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[Editor’s Note: High-resolution digital images for publicity use are available on request.]


About The Huntington
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Visitor Information:
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Volvelle. A series of rotating wheel charts called volvelles are included in Petrus Apianus’ Astronomicum caesareum (Caesar’s astronomy), published in 1540.  The charts were used to perform astronomical calculations. © The Huntington Library



The Reflecting Telescope. From Isaac Newton, An Account of a New Kind of Telescope, Invented by Mr. Isaac Newton, London, 1672. © The Huntington Library



Thomas Wright’s Vision of Stars in Large, Spherical Groupings. From Thomas Wright, An Original Theory or New Hypothesis of the Universe, London, 1750. © The Huntington Library



Unicorn. From Edward Topsell, The History of Four-Footed Beasts and Serpents, London, 1658. © The Huntington Library



Flea under magnification. From Robert Hooke, Micrographia, London, 1665. © The Huntington Library



Magnolia. From Mark Catesby, The Natural History of Carolina, Florida and the Bahama Islands, London, 1741. © The Huntington Library



Tanager, drawn and described by John Gould after Charles Darwin brought specimens back from the journey of the H.M.S. Beagle. From Charles Darwin and John Gould, The Zoology of the Voyage of H.M.S. Beagle, London, 1839–43. © The Huntington Library



Aloe. Aloe from an early herbal, a book describing plants and their uses. From Hieronymus Bock, Neu Kreuterbuch (New Plant Book), Strasburg, 1551. © The Huntington Library



Spine. From William Cheselden, Osteographia, or the Anatomy of the Bones, London, 1733. © The Huntington Library



Angel. The “flayed angel.” From Gautier D'Agoty and Joseph Guichard Duverny, Myologie complete (Comprehensive Study of the Muscles), Paris, 1746. © The Huntington Library



Twins. From George Spratt, Obstetric Tables, London, 1841. © The Huntington Library



Optics. A Latin copy of one of the earliest great books on optics. Ibn Al-Haytham, Kithab al-Manzir (Book of Optics), Basel, 1572. © The Huntington Library



Diagram of Vision and the Effect of Parallax. From Rene Descartes, Tractatus de homine et de formatione foetus (On Man and the Formation of the Fetus), Amsterdam, 1677. © The Huntington Library



Spectra. Light spectra from stars. From Norman Lockyer, Studies in Spectrum Analysis, New York, 1878. © The Huntington Library



Triangles. Two color triangles. From Robert Ridgway, A Nomenclature of Color for Naturalists, New York, 1886. © The Huntington Library



Dan Lewis. Dibner Senior Curator, History of Science and Technology.



Views of the Astronomy gallery. © The Huntington Library



Views of the Astronomy gallery. © The Huntington Library



Medicine 1 (Gallery installation). In a section devoted to the science of healing, a wall graphic depicts “Wound Man,” an enlargement of an engraving from a 16th-century German field manual on wound surgery. © The Huntington Library



Medicine 2 (Gallery installation). Early texts and illustrations describing the skeletal and muscular structure of the human body.] © The Huntington Library



Industrialist Bern Dibner (1897-1988), founder of the Burndy Library, which was acquired by The Huntington in 2006.  Selections from both the Burndy and Huntington collections are featured in this new permanent installation.



Einstein to Hale. Letter from Albert Einstein to George Ellery Hale, 1913. © The Huntington Library

About The Huntington

The Huntington Library, Art Collections, and Botanical Gardens is a collections-based research and educational institution established in 1919 by Henry E. and Arabella Huntington. Henry Huntington, a key figure in the...

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