Sept. 28, 2013-Jan. 13, 2014
MaryLou and George Boone Gallery
Rogier van der Weyden (Flemish, ca. 1400–1464).
Left: Virgin and Child (ca. 1460). Huntington Library, Art
Collections, and Botanical Gardens. Right: Portrait of Philippe de Croÿ
(ca. 1460). The Koninklijk Museum voor Schone Kunsten, Antwerp.
While many exhibitions have shed light on the beauty of Flemish 15th-century
painting, and even more have celebrated the glory of Italian Renaissance
art, “Face to Face: Flanders, Florence, and Renaissance Painting” will
be the first in the United States to explore how Flemish artists helped
make the innovative, sophisticated, and beautiful works of the Italian
Renaissance possible. With 29 paintings and about six illuminated
manuscripts by artists such as Jan van Eyck, Hans Memling, Pietro
Perugino, and Domenico Ghirlandaio drawn from The Huntington’s
collections and those of several other institutions in the United States
and Europe, the exhibition will mark the first time viewers in the Los
Angeles area will be able to see The Huntington’s acclaimed Virgin and Child (ca. 1460) by Flemish painter Rogier van der Weyden (ca. 1400–1464) displayed alongside its companion diptych panel, Portrait of Philippe de Croÿ, on loan from the Royal Museum of Fine Arts in Antwerp, Belgium.
Hans Memling (ca. 1430–1494), Christ Blessing, 1481, oil on panel, 13 1/8 × 9 7/8 in. Museum of Fine Arts, Boston. Bequest of William A. Coolidge. Photo ©
2013 Museum of Fine Arts, Boston.
“Face to Face” is co-curated by Catherine Hess, chief curator of European art at The Huntington, and Paula Nuttall, author of From Flanders to Florence: The Impact of Netherlandish Painting, 1400–1500
(2004, Yale University Press), the only English-language monograph on
the subject. Nuttall’s book reproduces many of the paintings that will
be on view.
Bringing together works from Galleria degli
Uffizi, Florence; the National Gallery of Ireland, Dublin; and the
Museum of Fine Arts, Boston, among others, “Face to Face” will juxtapose
Flemish and Italian works in thematic groupings, exploring the form of
the diptych, the depiction of the face of Christ, the evolution of
portraiture, elements of landscape painting, and the virtuosic rendering
of forms and textures.
This exhibition is made possible by Daniel Greenberg, Susan Steinhauser, and the Greenberg Foundation.
Additional support is provided by an anonymous donor in honor of Robert F. and Lois S. Erburu and in memory of Melvin R. Seiden, and also by Gabrielle Jungels-Winkler, the Samuel H. Kress Foundation, the Gladys Krieble Delmas Foundation, Christine C. Benter, and the Ahmanson Foundation Exhibition and Education Endowment.
A special thanks to Gabrielle Jungels-Winkler for her inspiration and heartfelt support of this project.
This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities and by the Government of Flanders through Flanders House New York.