Objects, Pathways, and Afterlives: Tracing Material Cultures in Early America
Recognizing that “early” America has been contested in productive ways, topics addressed include how “early” American objects can help effect contemporary visual sovereignty as well as cultural preservation and knowledge production. These questions have new urgency as Indigenous and African diasporic histories, objects, knowledge systems, and communities have been transforming understandings of material culture. The Huntington’s Fielding Collection of early American art invites collaborative conversation about how we interpret with—and for—multiple publics in order to more thoroughly explain pathways between historical materials and contemporary Indigenous and African American artists and knowledge keepers.
Conference registration includes admission to The Huntington grounds and galleries.
CONFERENCE SCHEDULE
FRIDAY, APRIL 21
9 a.m. | Registration and coffee
10 a.m. | Welcome & Remarks
Susan Juster (The Huntington)
- Christine DeLucia (Williams College)
- Tiya Miles (Harvard University)
- Scott Manning Stevens (Syracuse University)
- Jennifer Van Horn (University of Delaware)
10:30 a.m. | Keynote Dialogue
Moderator: Tiya Miles (Harvard University)
- Martha S. Jones (Johns Hopkins University)
- Patricia Marroquin Norby (Metropolitan Museum of Art)
Noon| Lunch
1 p.m. | Gender, Networks, and Communities
Moderator: Scott Manning Stevens (Syracuse University)
- Caroline Wigginton (University of Mississippi)
“Reading the Archive of Early American Gender through the Basket and the Box” - Aston Gonzalez (Salisbury University)
“Objects as Archives: Opening the Harriet Hayden Albums” - Kai Pyle (University of Illinois)
“The Bag My Kunsi Made: Representing Enslaved Women’s Material Culture in Early Wisconsin History” - Allyson LaForge (Brown University)
“Tracing Material Culture Histories: An Anishinaabe Miniature Mokuk within Networks of Indigenous Resistance”
3 p.m. | Omohundro Institute Publishing and Mentorship Event for Emerging Scholars
Moderators: Catherine Kelly (Omohundro Institute), Joshua Piker (William & Mary)
SATURDAY, APRIL 22
9 a.m. | Registration and coffee
9:30 a.m. | Session 2: Material Agencies, Power, and Resistance
Moderator: Jennifer Van Horn (University of Delaware)
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Matt Clavin (University of Houston)
“‘The negroes were well armed’: Guns, Knives, and the Materiality of Slave Resistance” -
Mikayla Harden (University of Delaware)
“Children, Captivity, and Black Material Culture Studies” -
Steffi Dippold (Kansas State University)
“Books Have Bindings: Tracing the Hidden Histories of Colonial Leathers” -
Christine Garnier (University of Southern California)
“Diplomacy, Trade, and Relations: Reflections on the American Fur Company Medal (c. 1832)”
11:30 a.m. | Lunch
12:30 p.m. | Session 3: Place, Environment, and Materiality
Moderator: Christine DeLucia (Williams College)
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Mark Mattes (University of Louisville)
“Trees and War Clubs: Indigenous Materialities and Historical Memory” -
Perri Meldon (Boston University)
“Muck as Material Culture: Canals, Enslaved Labor, and Public History in the Mid-Atlantic” -
Buck Woodard (American University); Elizabeth Bollwerk, (DAACS, Monticello); Adriana Greci Green (Fralin Museum of Art, University of Virginia)
“Native Textiles of the Chesapeake”
2 p.m. | Break: We encourage attendees to take time to relax and enjoy the gardens.
2:30 p.m. | Curator-led Tours of "Borderlands" and "Becoming America: Highlights from the Jonathan and Karin Fielding Collection" The Huntington Art Museum
Led by: Dennis Carr, Virginia Steele Scott Chief Curator of American Art and Lauren Cross, Gail-Oxford Associate Curator of American Decorative Arts
4:45 p.m. | Wrap-up
Funding provided by The William French Smith Endowment, the USC-Huntington Early Modern Studies Institute, the Charles Warren Center for Studies in American History at Harvard University, and the Omohundro Institute of Early American History and Culture.