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Eccentric Visions: Drawings by Henry Fuseli, William Blake, and Their Contemporaries

Exhibitions

Henry Fuseli (Swiss, 1747‒1825), Haemon Discovering the Body of Antigone, 1800, gray-brown wash over graphite. The Huntington Library, Art Collections, and Botanical Gardens.
William Blake (British, 1757‒1824), Lucifer and the Pope in Hell, ca. 1794‒96, etching and/or engraving, color printed with gum or glue-based pigments, and hand finished with watercolor, pen, and ink. The Huntington Library, Art Collections, and Botanical Gardens.
James Jefferys (British, 1751‒1784), Time Disarming Love, ca. 1779, pen and ink and brown wash. The Huntington Library, Art Collections, and Botanical Gardens.
Henry Fuseli (Swiss, 1747‒1825), Haemon Discovering the Body of Antigone, 1800, gray-brown wash over graphite. The Huntington Library, Art Collections, and Botanical Gardens.
William Blake (British, 1757‒1824), Lucifer and the Pope in Hell, ca. 1794‒96, etching and/or engraving, color printed with gum or glue-based pigments, and hand finished with watercolor, pen, and ink. The Huntington Library, Art Collections, and Botanical Gardens.
James Jefferys (British, 1751‒1784), Time Disarming Love, ca. 1779, pen and ink and brown wash. The Huntington Library, Art Collections, and Botanical Gardens.

Henry Fuseli (Swiss, 1747‒1825), Haemon Discovering the Body of Antigone, 1800, gray-brown wash over graphite. The Huntington Library, Art Collections, and Botanical Gardens.

William Blake (British, 1757‒1824), Lucifer and the Pope in Hell, ca. 1794‒96, etching and/or engraving, color printed with gum or glue-based pigments, and hand finished with watercolor, pen, and ink. The Huntington Library, Art Collections, and Botanical Gardens.

James Jefferys (British, 1751‒1784), Time Disarming Love, ca. 1779, pen and ink and brown wash. The Huntington Library, Art Collections, and Botanical Gardens.

Henry Fuseli artwork

Nov. 22, 2014–March 17, 2015

Huntington Art Gallery, Second Floor