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Exhibitions

David Gilmour Blythe (1815–1865), Art versus Law, 1859–60, oil on canvas, 24 × 35 13⁄16 in. Brooklyn Museum. Dick Ramsay Fund.
James Henry Cafferty (1819–1869) and Charles G. Rosenberg (1818–1879), Wall Street, Half Past Two O’Clock, October 13, 1857, 1858, oil on canvas, 50 × 40 in. Museum of the City of New York. Gift of the Honorable Irwin Untermeyer.
Alfred Kappes (1850–1894), Tattered and Torn, 1886, oil on canvas, 40 × 32 in. Smith College Museum of Art, Northampton, Mass. Purchased with the Beatrice Oenslager Chace, Class of 1928, Fund; the Rita Rich Fraad, Class of 1937, Fund for American Art; the Kathleen Compton Sherrerd, Class of 1954, Fund for American Art; and with restricted acquisition funds
David Gilmour Blythe (1815–1865), Art versus Law, 1859–60, oil on canvas, 24 × 35 13⁄16 in. Brooklyn Museum. Dick Ramsay Fund.
James Henry Cafferty (1819–1869) and Charles G. Rosenberg (1818–1879), Wall Street, Half Past Two O’Clock, October 13, 1857, 1858, oil on canvas, 50 × 40 in. Museum of the City of New York. Gift of the Honorable Irwin Untermeyer.
Alfred Kappes (1850–1894), Tattered and Torn, 1886, oil on canvas, 40 × 32 in. Smith College Museum of Art, Northampton, Mass. Purchased with the Beatrice Oenslager Chace, Class of 1928, Fund; the Rita Rich Fraad, Class of 1937, Fund for American Art; the Kathleen Compton Sherrerd, Class of 1954, Fund for American Art; and with restricted acquisition funds

David Gilmour Blythe (1815–1865), Art versus Law, 1859–60, oil on canvas, 24 × 35 13⁄16 in. Brooklyn Museum. Dick Ramsay Fund.

James Henry Cafferty (1819–1869) and Charles G. Rosenberg (1818–1879), Wall Street, Half Past Two O'Clock, October 13, 1857, 1858, oil on canvas, 50 × 40 in. Museum of the City of New York. Gift of the Honorable Irwin Untermeyer.

Alfred Kappes (1850–1894), Tattered and Torn, 1886, oil on canvas, 40 × 32 in. Smith College Museum of Art, Northampton, Mass. Purchased with the Beatrice Oenslager Chace, Class of 1928, Fund; the Rita Rich Fraad, Class of 1937, Fund for American Art; the Kathleen Compton Sherrerd, Class of 1954, Fund for American Art; and with restricted acquisition funds

Painting of an artist reading papers on a studio door

Jan. 29, 2011–May 31, 2011

Virginia Steele Scott Galleries of American Art, Susan and Stephen Chandler Wing