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Visual Voyages: Images of Latin American Nature from Columbus to Darwin

Exhibitions

José María Carbonell, Loranthus, Royal Botanical Expedition to the New Kingdom of Granada led by José Celestino Mutis (1783–1816), tempera on paper, approx. 21¼ × 15 in. Archivo del Real Jardín Botánico- CSIC (Madrid).
Le vrais Bresil es province du Quito (The true Brazil, a province of Quito), in Vallard Atlas, Dieppe (France), 1547, tempera, gold paint, gold leaf, and black ink on parchment, 14 ½ × 18 ¾ in. The Huntington Library, Art Collections and Botanical Gardens.
José María Velasco (1840–1912), Valle de México (The Valley of Mexico), 1877, oil on canvas, 63 3/16 × 90 7/16 in. Museo Nacional de Arte, INBA, Mexico City, SIGROPAM 24433. Reproduction authorized by the National Institute of Fine Arts and Literature, 2016.
Frederic Edwin Church (1826–1900), Chimborazo, 1864, oil on canvas, 48 × 84 in. The Huntington Library, Art Collections, and Botanical Gardens, gift of the Virginia Steele Scott Foundation. © Fredrik Nilsen photography.
Albert Eckhout (ca. 1610–1666), Fruits, pineapple and melon, etc., 1640–50, oil on canvas, 35 13/16 × 35 13/16 in. Photo: John Lee, National Museum of Denmark, Copenhagen, N.92.
Feathered cape, Tupinambá people, Brazil, 17th century, feathers and vegetable fibers, 70 ¾ × 59 × 39 ⅓ in. Musées Royaux d’Art et d’Histoire, Brussels, AAM 5783, © RMAH.
Nopal planta que se cría en la América y que produce la grana (The nopal plant that is grown in America and produces cochineal), in Reports on the History, Organization, and Status of Various Catholic Dioceses of New Spain and Peru, 1620–49, pigment and ink on paper. The Newberry Library, Chicago, Ayer MS 1106 D8 Vault Box 1 Folder 15.
Le Chimborazo, vu depuis le plateau de Tapia (Chimborazo Seen from the Tapia Plateau) in Alexander von Humboldt (1769–1859), Vues des cordillères, et monuments des peuples indigènes de l’Amérique, (View of the cordilleras and monuments of the indigenous peoples of the Americas), Paris: F. Schoell, 1810–13, color aquatint, mezzotint, engraving, and etching with watercolor, 20 × 27 in. The Huntington Library, Art Collections and Botanical Gardens.
Antonio García Cubas (1832–1912), agricultural map in Atlas pintoresco é historico de los Estados Unidos Mexicanos, (Picturesque and historical atlas of the United States of Mexico), Mexico City: Debray Sucesores, 1885, chromolithograph, 24 13/16 × 30 11/16 in. The Newberry Library, Chicago, Ayer 655.59.G2.
Bernardino de Sahagún (1499–1590) and indigenous artists and scribes, description and illustration of Mexican medicinal herbs in the Historia General de las Cosas de la Nueva España, (General History of the Things of New Spain), also known as the Florentine Codex, ca. 1577, ink and color on paper, Biblioteca Medicea Laurenziana, Florence Ms. Med. Laur. Palat. 220. Reproduced with permission of MiBACT.
Vicente Albán, Yapanga from Quito, Quito (Ecuador), 1783, oil on canvas, 31 ½ × 42 15/16 in. Museo de América, Madrid, 00074.
Intermediate Stages of Blooming, in John Fisk Allen (1785–1865), Victoria regia; or, The Great Water Lily of America, Boston: Dutton and Wentworth, 1854, chromolithograph, 15 × 21 in. The Huntington Library, Art Collections and Botanical Gardens.
José María Carbonell, Loranthus, Royal Botanical Expedition to the New Kingdom of Granada led by José Celestino Mutis (1783–1816), tempera on paper, approx. 21¼ × 15 in. Archivo del Real Jardín Botánico- CSIC (Madrid).
Le vrais Bresil es province du Quito (The true Brazil, a province of Quito), in Vallard Atlas, Dieppe (France), 1547, tempera, gold paint, gold leaf, and black ink on parchment, 14 ½ × 18 ¾ in. The Huntington Library, Art Collections and Botanical Gardens.
José María Velasco (1840–1912), Valle de México (The Valley of Mexico), 1877, oil on canvas, 63 3/16 × 90 7/16 in. Museo Nacional de Arte, INBA, Mexico City, SIGROPAM 24433. Reproduction authorized by the National Institute of Fine Arts and Literature, 2016.
Frederic Edwin Church (1826–1900), Chimborazo, 1864, oil on canvas, 48 × 84 in. The Huntington Library, Art Collections, and Botanical Gardens, gift of the Virginia Steele Scott Foundation. © Fredrik Nilsen photography.
Albert Eckhout (ca. 1610–1666), Fruits, pineapple and melon, etc., 1640–50, oil on canvas, 35 13/16 × 35 13/16 in. Photo: John Lee, National Museum of Denmark, Copenhagen, N.92.
Feathered cape, Tupinambá people, Brazil, 17th century, feathers and vegetable fibers, 70 ¾ × 59 × 39 ⅓ in. Musées Royaux d’Art et d’Histoire, Brussels, AAM 5783, © RMAH.
Nopal planta que se cría en la América y que produce la grana (The nopal plant that is grown in America and produces cochineal), in Reports on the History, Organization, and Status of Various Catholic Dioceses of New Spain and Peru, 1620–49, pigment and ink on paper. The Newberry Library, Chicago, Ayer MS 1106 D8 Vault Box 1 Folder 15.
Le Chimborazo, vu depuis le plateau de Tapia (Chimborazo Seen from the Tapia Plateau) in Alexander von Humboldt (1769–1859), Vues des cordillères, et monuments des peuples indigènes de l’Amérique, (View of the cordilleras and monuments of the indigenous peoples of the Americas), Paris: F. Schoell, 1810–13, color aquatint, mezzotint, engraving, and etching with watercolor, 20 × 27 in. The Huntington Library, Art Collections and Botanical Gardens.
Antonio García Cubas (1832–1912), agricultural map in Atlas pintoresco é historico de los Estados Unidos Mexicanos, (Picturesque and historical atlas of the United States of Mexico), Mexico City: Debray Sucesores, 1885, chromolithograph, 24 13/16 × 30 11/16 in. The Newberry Library, Chicago, Ayer 655.59.G2.
Bernardino de Sahagún (1499–1590) and indigenous artists and scribes, description and illustration of Mexican medicinal herbs in the Historia General de las Cosas de la Nueva España, (General History of the Things of New Spain), also known as the Florentine Codex, ca. 1577, ink and color on paper, Biblioteca Medicea Laurenziana, Florence Ms. Med. Laur. Palat. 220. Reproduced with permission of MiBACT.
Vicente Albán, Yapanga from Quito, Quito (Ecuador), 1783, oil on canvas, 31 ½ × 42 15/16 in. Museo de América, Madrid, 00074.
Intermediate Stages of Blooming, in John Fisk Allen (1785–1865), Victoria regia; or, The Great Water Lily of America, Boston: Dutton and Wentworth, 1854, chromolithograph, 15 × 21 in. The Huntington Library, Art Collections and Botanical Gardens.

José María Carbonell, Loranthus, Royal Botanical Expedition to the New Kingdom of Granada led by José Celestino Mutis (1783–1816), tempera on paper, approx. 21¼ × 15 in. Archivo del Real Jardín Botánico- CSIC (Madrid).

Le vrais Bresil es province du Quito (The true Brazil, a province of Quito), in Vallard Atlas, Dieppe (France), 1547, tempera, gold paint, gold leaf, and black ink on parchment, 14 ½ × 18 ¾ in. The Huntington Library, Art Collections and Botanical Gardens.

José María Velasco (1840–1912), Valle de México (The Valley of Mexico), 1877, oil on canvas, 63 3/16 × 90 7/16 in. Museo Nacional de Arte, INBA, Mexico City, SIGROPAM 24433. Reproduction authorized by the National Institute of Fine Arts and Literature, 2016.

Frederic Edwin Church (1826–1900), Chimborazo, 1864, oil on canvas, 48 × 84 in. The Huntington Library, Art Collections, and Botanical Gardens, gift of the Virginia Steele Scott Foundation. © Fredrik Nilsen photography.

Albert Eckhout (ca. 1610–1666), Fruits, pineapple and melon, etc., 1640–50, oil on canvas, 35 13/16 × 35 13/16 in. Photo: John Lee, National Museum of Denmark, Copenhagen, N.92.

Feathered cape, Tupinambá people, Brazil, 17th century, feathers and vegetable fibers, 70 ¾ × 59 × 39 ⅓ in. Musées Royaux d'Art et d'Histoire, Brussels, AAM 5783, © RMAH.

Nopal planta que se cría en la América y que produce la grana (The nopal plant that is grown in America and produces cochineal), in Reports on the History, Organization, and Status of Various Catholic Dioceses of New Spain and Peru, 1620–49, pigment and ink on paper. The Newberry Library, Chicago, Ayer MS 1106 D8 Vault Box 1 Folder 15.

Le Chimborazo, vu depuis le plateau de Tapia (Chimborazo Seen from the Tapia Plateau) in Alexander von Humboldt (1769–1859), Vues des cordillères, et monuments des peuples indigènes de l'Amérique, (View of the cordilleras and monuments of the indigenous peoples of the Americas), Paris: F. Schoell, 1810–13, color aquatint, mezzotint, engraving, and etching with watercolor, 20 × 27 in. The Huntington Library, Art Collections and Botanical Gardens.

Antonio García Cubas (1832–1912), agricultural map in Atlas pintoresco é historico de los Estados Unidos Mexicanos, (Picturesque and historical atlas of the United States of Mexico), Mexico City: Debray Sucesores, 1885, chromolithograph, 24 13/16 × 30 11/16 in. The Newberry Library, Chicago, Ayer 655.59.G2.

Bernardino de Sahagún (1499–1590) and indigenous artists and scribes, description and illustration of Mexican medicinal herbs in the Historia General de las Cosas de la Nueva España, (General History of the Things of New Spain), also known as the Florentine Codex, ca. 1577, ink and color on paper, Biblioteca Medicea Laurenziana, Florence Ms. Med. Laur. Palat. 220. Reproduced with permission of MiBACT.

Vicente Albán, Yapanga from Quito, Quito (Ecuador), 1783, oil on canvas, 31 ½ × 42 15/16 in. Museo de América, Madrid, 00074.

Intermediate Stages of Blooming, in John Fisk Allen (1785–1865), Victoria regia; or, The Great Water Lily of America, Boston: Dutton and Wentworth, 1854, chromolithograph, 15 × 21 in. The Huntington Library, Art Collections and Botanical Gardens.

Visual Voyages

Sept. 16, 2017–Jan. 8, 2018

Boone Gallery