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A World of Strangers: Crowds in American Art

Exhibitions

Weegee, First Murder, c. 1950, gelatin silver print, 10 1/8 × 11 in. The J. Paul Getty Museum, Los Angeles. © International Center of Photography.
George Wesley Bellows, Billy Sunday, 1923, lithograph, 8 7/8 × 16 1/8 in. The Huntington Library, Art Collections, and Botanical Gardens. Collection of Hannah S. Kully.
Walker Evans, Bridgeport Parade: Marching Band and Crowd, 1941, gelatin silver print, 7 3/16 × 8 7/8 in. J. Paul Getty Museum, Los Angeles.
Torkel Korling, Crowded Beach, 1929, gelatin silver print, 13 7/16 × 10 7/16. Los Angeles County Museum of Art. The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation, acquired from Carol Vernon and Robert Turbin. Photo © 2015 Museum Associates/LACMA.
Torkel Korling, Cut Away Abstraction, Rockford, 1944, gelatin silver print, 10 15/16 × 13 7/8. Los Angeles County Museum of Art. The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation, acquired from Carol Vernon and Robert Turbin. Photo © 2015 Museum Associates/LACMA.
Armin Landeck, Manhattan Vista, 1934, drypoint, 10 1/8 × 8 5/8 in. The Huntington Library, Art Collections, and Botanical Gardens. Gift of Hannah S. Kully.
Reginald Marsh, Bread Line―No One Has Starved, 1932, etching and engraving, 6 15/16 × 11 7/8 in. The Huntington Library, Art Collections, and Botanical Gardens. © Estate of Reginald Marsh/ Art Students League/ Artist Rights Society (ARS), New York.
John J.A. Murphy, Shadow Boxers, 1925, woodcut, 8 × 9 in. The Huntington Library, Art Collections, and Botanical Gardens. Gift of Hannah S. Kully.
Benton Murdoch Spruance, Traffic Control, 1936, lithograph on woven paper, 9 × 14 3/8 in. The Huntington Library, Art Collections, and Botanical Gardens. Purchased with funds provided by Russel I. and Hannah S. Kully. Image courtesy of bentonspruance.com.
Karl F. Struss, Crowded Pier by Moonlight, Arverne, Long Island, New York, 1910–1912, sepia toned platinum print, 4 1/4 × 3 5/8 in. The J. Paul Getty Museum, Los Angeles. © 1983 Amon Carter Museum of Art, Fort Worth, Texas.
Ken Gonzalez-Day, East First Street, 2006, 3 13/16 × 6 in. Courtesy of the artist and Luis De Jesus Los Angeles.
Weegee, First Murder, c. 1950, gelatin silver print, 10 1/8 × 11 in. The J. Paul Getty Museum, Los Angeles. © International Center of Photography.
George Wesley Bellows, Billy Sunday, 1923, lithograph, 8 7/8 × 16 1/8 in. The Huntington Library, Art Collections, and Botanical Gardens. Collection of Hannah S. Kully.
Walker Evans, Bridgeport Parade: Marching Band and Crowd, 1941, gelatin silver print, 7 3/16 × 8 7/8 in. J. Paul Getty Museum, Los Angeles.
Torkel Korling, Crowded Beach, 1929, gelatin silver print, 13 7/16 × 10 7/16. Los Angeles County Museum of Art. The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation, acquired from Carol Vernon and Robert Turbin. Photo © 2015 Museum Associates/LACMA.
Torkel Korling, Cut Away Abstraction, Rockford, 1944, gelatin silver print, 10 15/16 × 13 7/8. Los Angeles County Museum of Art. The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation, acquired from Carol Vernon and Robert Turbin. Photo © 2015 Museum Associates/LACMA.
Armin Landeck, Manhattan Vista, 1934, drypoint, 10 1/8 × 8 5/8 in. The Huntington Library, Art Collections, and Botanical Gardens. Gift of Hannah S. Kully.
Reginald Marsh, Bread Line―No One Has Starved, 1932, etching and engraving, 6 15/16 × 11 7/8 in. The Huntington Library, Art Collections, and Botanical Gardens. © Estate of Reginald Marsh/ Art Students League/ Artist Rights Society (ARS), New York.
John J.A. Murphy, Shadow Boxers, 1925, woodcut, 8 × 9 in. The Huntington Library, Art Collections, and Botanical Gardens. Gift of Hannah S. Kully.
Benton Murdoch Spruance, Traffic Control, 1936, lithograph on woven paper, 9 × 14 3/8 in. The Huntington Library, Art Collections, and Botanical Gardens. Purchased with funds provided by Russel I. and Hannah S. Kully. Image courtesy of bentonspruance.com.
Karl F. Struss, Crowded Pier by Moonlight, Arverne, Long Island, New York, 1910–1912, sepia toned platinum print, 4 1/4 × 3 5/8 in. The J. Paul Getty Museum, Los Angeles. © 1983 Amon Carter Museum of Art, Fort Worth, Texas.
Ken Gonzalez-Day, East First Street, 2006, 3 13/16 × 6 in. Courtesy of the artist and Luis De Jesus Los Angeles.

Weegee, First Murder, c. 1950, gelatin silver print, 10 1/8 × 11 in. The J. Paul Getty Museum, Los Angeles. © International Center of Photography.

George Wesley Bellows, Billy Sunday, 1923, lithograph, 8 7/8 × 16 1/8 in. The Huntington Library, Art Collections, and Botanical Gardens. Collection of Hannah S. Kully.

Walker Evans, Bridgeport Parade: Marching Band and Crowd, 1941, gelatin silver print, 7 3/16 × 8 7/8 in. J. Paul Getty Museum, Los Angeles.

Torkel Korling, Crowded Beach, 1929, gelatin silver print, 13 7/16 × 10 7/16. Los Angeles County Museum of Art. The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation, acquired from Carol Vernon and Robert Turbin. Photo © 2015 Museum Associates/LACMA.

Torkel Korling, Cut Away Abstraction, Rockford, 1944, gelatin silver print, 10 15/16 × 13 7/8. Los Angeles County Museum of Art. The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation, acquired from Carol Vernon and Robert Turbin. Photo © 2015 Museum Associates/LACMA.

Armin Landeck, Manhattan Vista, 1934, drypoint, 10 1/8 × 8 5/8 in. The Huntington Library, Art Collections, and Botanical Gardens. Gift of Hannah S. Kully.

Reginald Marsh, Bread Line―No One Has Starved, 1932, etching and engraving, 6 15/16 × 11 7/8 in. The Huntington Library, Art Collections, and Botanical Gardens. © Estate of Reginald Marsh/ Art Students League/ Artist Rights Society (ARS), New York.

John J.A. Murphy, Shadow Boxers, 1925, woodcut, 8 × 9 in. The Huntington Library, Art Collections, and Botanical Gardens. Gift of Hannah S. Kully.

Benton Murdoch Spruance, Traffic Control, 1936, lithograph on woven paper, 9 × 14 3/8 in. The Huntington Library, Art Collections, and Botanical Gardens. Purchased with funds provided by Russel I. and Hannah S. Kully. Image courtesy of bentonspruance.com.

Karl F. Struss, Crowded Pier by Moonlight, Arverne, Long Island, New York, 1910–1912, sepia toned platinum print, 4 1/4 × 3 5/8 in. The J. Paul Getty Museum, Los Angeles. © 1983 Amon Carter Museum of Art, Fort Worth, Texas.

Ken Gonzalez-Day, East First Street, 2006, 3 13/16 × 6 in. Courtesy of the artist and Luis De Jesus Los Angeles.

Photograph of a crowd of children

Oct. 17, 2015–April 5, 2016

Huntington Art Gallery