Huntington Art Gallery

The Huntington Art Gallery’s function is twofold: to display the Beaux-Arts mansion as one of the great Gilded Age residences of America, evoking something of the lifestyle of the Huntingtons, and to provide educational displays of major works of art, taking advantage of modern techniques of conservation, lighting, and interpretation.

In 1905, railroad and real estate magnate Henry Huntington commissioned engineer E. S. Code to translate his own simple sketch of what he wanted into a buildable design. By 1908, when he asked the distinguished Los Angeles architect Myron Hunt to take the project forward, he was already being influenced by the taste of his uncle’s widow, Arabella Huntington, whom he would marry in 1913. Retaining many of the features of the original plans, Hunt’s design subtly raised the game, removing Code’s neo-Palladian mannerisms and restricting exterior classical ornament to the main compositions of the north and south fronts. To these he added a small porte cochere for the main entry and—on the client’s insistence—the large peristylar loggia on the east, which to this day remains the building’s most distinguished architectural feature.

Ultimately, the building plan came to some 55,000 square feet, with the south façade and terrace reflecting Italian and Spanish Renaissance traditions of country house architecture and the north façade, with its corps-de-logis and advancing wings, acknowledging the French tradition. As a whole, the house is a classic exercise in the emerging Mediterranean style of early 20th-century Californian architecture.

The entry on the north is deliberately understated, providing functional spaces to accommodate visitors with parcels and luggage. As is typical in advanced country house architecture of the late 19th century, the real elegance is saved for the private part of the house—the great east-west hall, the large library, drawing rooms, the dining room, and the expansive south terrace. All these survived the transformation of the house into a public art gallery in the late 1920s and, in the recent reorganization of the house, have been reemphasized. Spaces—such as bathrooms, many of the bedrooms, private sitting rooms, and the servants’ wing—were largely lost when the gallery opened to the public in 1928, a year after Henry Huntington’s death.