Posted on Wed., May 1, 2019 by Usha Lee McFarling

Kelly Fernandez, head gardener of the Herb and Shakespeare gardens at The Huntington, and her team of docent volunteers are always on the lookout for plant materials

Posted on Wed., April 24, 2019 by Melinda McCurdy

A placid river lazily flows past verdant hills, a high mountain retreat rests beneath towering pines, and delicate arches glow in the warmth of the setting sun.

Posted on Mon., April 15, 2019

Larry Nittler, Department of Terrestrial Magnetism at the Carnegie Institution for Science, discusses how he uses microscopic analyses to understand what "presolar" stellar fossils - tiny grains of dust in meteorites - tell us about the evolution and inner workings of stars and the chemical history of the matter that became the sun and planets.

Posted on Wed., April 17, 2019

Sue Fawn Chung, professor emerita at the University of Nevada, Las Vegas, presents facts and fictions about late 19th-century Chinese railroad workers, introducing newly published work on the subject: The Chinese and the Iron Road.

Posted on Wed., May 8, 2019

It has been 150 years since eastbound and westbound railroad tracks first met at Utah's Promontory Summit, the culmination of many years of planning

Posted on Wed., April 24, 2019 by Justin Underhill

I am a digital art historian at the University of California, Berkeley, who studies American and early modern European art.

Posted on Wed., April 17, 2019 by Peter Lake and Koji Yamamoto

Stereotyping in early modern England and its colonies deserves scrutiny in our time because stereotypes were pervasive

Posted on Wed., April 17, 2019 by Kevin Durkin

Home to gorgeous gardens, spectacular art, and stunning rare books and manuscripts, The Huntington also offers an impressive slate of lectures and conferences on topics and themes related to its collections.

Posted on Fri., April 12, 2019

One of the most iconic paintings in British and American history, The Blue Boy, made around 1770 by English painter Thomas Gainsborough (1727-1788), is undergoing its first major conservation treatment since its acquisition in 1921.

Posted on Thu., April 11, 2019

Catherine Hess, chief curator of European art, explains how the work of these two British artists resonates across centuries.