Catherine G. Wagley, a freelance journalist who writes about art and visual culture in Los Angeles, focuses in this post on the three artists delving into the botanical collections: Zya S. Levy, Sarita Dougherty, and Olivia Chumacero.

Frederick Hammersley (1919–2009), a longtime resident of Los Angeles and later of Albuquerque, is best known for his geometric paintings, which the critic Jules Langser in 1959 grouped with other works he called "hard edge" paintings.

Between 1600 and 1900, the newspaper began to occupy a central position in the modern societies of Europe and North America. These publications helped make information current and critical, legitimate and public.

All medieval manuscripts are valuable. But some sell for much more than others, with prices reaching well into the tens of millions. Beauty is one common reason a text might fetch a higher price.

If you poke around in your cabinets at home, you'll probably find some glass vases tucked away inside. You might even take them out sometimes to hold flowers picked up on a sunny, farmer's market morning.

I'm a junior at Princeton University studying art history, with minors in European cultural studies and humanistic studies. I spent the summer as an intern in The Huntington's American art collections to gain a deeper understanding of how an art museum functions.

When creative filmmakers set their sights on illuminating neglected corners of history, magic can happen. Such is the case with Bill Morrison's riveting new documentary Dawson City: Frozen Time, which weaves a story about the interconnections between Hollywood and the Klondike

Just a couple of hours east of Los Angeles is a vast expanse that few Californians know by name: the California Desert Conservation Area, which contains roughly 25 million acres—or one-quarter of the state's land mass.

This is one of the most exhilarating times at The Huntington—when the new cadre of research fellows arrive on our beautiful campus to explore our collections and take part in the intellectual life of this institution.

In this edited excerpt from the introduction to the exhibition catalog, Visual Voyages (Yale University Press, 2017), Daniela Bleichmar, associate professor of art history and history at the University of Southern California and co-curator of the exhibition, focuses on a 17th-century feathered cape created by the Tupinambá people of Brazil.