Posted on Wed., June 16, 2021 by Manuela Gomez Rhine

Harriet Goodhue Hosmer (1830-1908) unapologetically pursued her ambitions as a sculptor in a field considered inappropriate for women and lived openly as a lesbian

Posted on Wed., June 9, 2021

The Huntington Library, Art Museum, and Botanical Gardens today announced a pair of developments regarding its Board of Trustees: Loren Rothschild, serving as a member since 2009 and as chair since 2017, will retire to become Trustee Emeritus

Posted on Wed., June 23, 2021 by Olga Tsapina

In March 1852, Charles Devens, the United States Marshal for Massachusetts, submitted an expense report

Posted on Wed., May 26, 2021

Karlos K. Hill, Associate Professor and Chair of the Clara Luper Department of African and African American Studies at the University of Oklahoma, discusses his new book The 1921 Tulsa Race Massacre: A Photographic History.

Posted on Wed., June 9, 2021 by Natalie Russell

Born in Dublin and named for Irish folk heroes, Oscar Fingal O’Flahertie Wills Wilde (1854–1900) became a cultural hero in his own right

Posted on Wed., May 26, 2021

Join Lauren Mackler, co-curator of "Made in L.A. 2020: a version," for this short and insightful discussion about artist Jeffrey Stuker, as part of the Lunchtime Art Talk series on the exhibition.

WATCH

Posted on Wed., May 26, 2021

Professor Kathleen Belew in Conversation with Distinguished Professor and MacArthur Fellow Natalia Molina

Posted on Wed., June 2, 2021 by Lisa Blackburn

Offerings of fruit, rice cakes, fish, and wine; humble gifts of pine sprigs; scatterings of salt; rhythmic chants; and a taiko drum’s deep resonant tones soaring skyward to invoke the spirits. These were some of the sights and sounds of the jotoshiki, a Shinto roof-raising ceremony

Posted on Thu., May 20, 2021

Roslyn Lee Hammers, associate professor of art history at the University of Hong Kong, discusses depictions of rural life produced for an 18th-century Chinese emperor's residence. The Qianlong emperor (1711–1799) had stone stele carved with scenes of men and women producing rice and silk, and he situated them in a reconstruction of a village in his Garden of Clear Ripples (Qing Yi Yuan, now known as the Summer Palace, Beijing).